What’s it like to be Captain America? For actor Chris Evans, it’s complicated.
There is a scene halfway through The Iceman—the based-on-a-true-story movie about Richard Kuklinski, the most prolific, least conflicted hit man of all time—in which Chris Evans, who has become wildly successful in the role of squeaky-clean Captain America, chops up bodies with a giant cleaver. There are bloody limbs everywhere, and Evans, his boyish features obscured by a shaggy beard and long matted hair, is positively gleeful as Robert Pronge, the contract killer who assisted Kuklinski. Evans, 31, is a natural leading man, and although it would make sense for him to protect his superhero status, he is aggressively resistant to being typecast. “I was obsessed with the Iceman,” Evans told me over the phone from Los Angeles, where he is training for the next installment of Captain America (a series that includes Marvel’s the Avengers, Disney’s highest-grossing domestic film to date). “I’m attracted to that sociopathic stuff—the idea of no handcuffs on your personality. A thousand times a day I want to stand on my chair, kick over my water glass, and say what’s on my mind. But I don’t. Pronge did; he was the crazy mayor of his own island.”
Pronge, who sold ice cream when he wasn’t killing strangers for money, had the split personality that Evans finds attractive in the characters he portrays. What made Captain America compelling was the disparity between Steve Rogers, the real-life regular guy, and his crusading, muscle-bound alter ego. And yet when Evans was offered the part, which came with a multi-movie franchise commitment, he resisted—and even went into therapy. He was worried about being seen as a cartoon character for nine more films. Marvel Studios reduced the number to six, but Evans said no again. Finally, he realized that becoming an international star would not be the end of the world. “And if I hadn’t done the movie, I’d be kicking myself,” he said.